Dasara ibomma - Dasara is established in a location with an unpolished tone and individuals with rugged appearances. This decision by the writer and director, Srikanth Odela, provides the viewers with a distinct involvement in an unknown realm. However, above the placement, Srikanth Odela banks on two significant storylines here: countryside politics that revolve around a tavern and human sentiments that revolve around three connections: comradeship, ardor, and carnal desire.
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Dasara IBOMMA - The initial half of Dasara has an introduction to the Veerlapalli domain, Sarpanch politics, and the development of the bonds of amity and passion. While Nani and Deekshith Shetty outdid themselves with their on-screen companionship, Keerthy Suresh is witnessed with prodigious verve. Nani can be seen occasionally as an underdog in the first half.
In actuality, he is depicted in the same way. Nani's inherent execution is verily admirable once again. Deekshith Shetty has validated his role. Sathyan Sooryan's cinematography is magnificent, and it enriches the viewing experience. Dhoom Dhaam Dhosthaan was shot with brilliance. Silk Bar and Ori Vaari were also impressive.
Dasara suddenly veers towards a solemn tone as it approaches the intermission phase. The political fervor in the village proliferates, and the intermission event becomes the pinnacle of the hour. Srikanth Odela's decision in constructing the intermission to capitalize on emotions instead of action is a splendid maneuver. Dasara's intermission furnishes the audience with a prelude to Dharani's outrage in the second half.
The latter half of Dasara initiates with the continuation of some poignant scenes. The audience certainly awaits Dharani to erupt. But Srikanth Odela adheres to his sentiments and runs the screenplay solely among the principal characters. This may not be appealing for a few minutes. The scenes are commendable on an individual level if cut crisply, but they do not match the audience's anticipations in this sequence.
One awaits a compelling finale, and what Srikanth offered at the end exceeded strength and prowess. Dasara's culmination will rupture the entire theatre with clamors and enthusiasm. This is Nani's most intense enactment to date. This is one of the finest climaxes in recent hit-action dramas. This is stupendous.
Srikanth Odela's directorial skills are exceptional. He is no less than any top-grossing director with a decade of experience. Dasara makes us question whether Srikanth is genuinely a novice. Keerthy Suresh once again demonstrates why she is a national award-winning actress. Tom Chacko is outstanding in his role. A special reference goes to every actor in Nani's friend clique. They are extraordinary in the climax.
Samuthirakani and Sai Kumar are good but have more potential. The production design team and the production team need to be applauded for their splendid work. And lastly, Santhosh Narayanan was the ideal choice because he placed the essence of Dasara in the right place with his music. So, despite a few prolonged minutes in the latter half, Dasara is an action drama deserving of everything it embodies.
Dasara is yet another tribute to Telugu commercial cinema, with raw sentiments from Srikanth Odela and an astounding performance by Nani.